![]() Now let me draw in peace.Īs a program for posing 3D figures into static poses, it's fine. I wouldn't buy the more expensive versions, though. It's slightly more expensive than a wooden manikin, but much more useful and flexible than one. ![]() Not sure what the problem is but having had poser in the past ( as a reseller ) I can say that install problems have not been uncommon for Poser products. In this case the Libraries that include all the figures ( kinda necessary, right? ) simply don't work. While waiting on a reply from Smith Micro I have tried all of their published "solutions" to this problem but none of them work. Not sure an upgrade will fix the problem because several forums indicate that even the top of the line version has problems with the library not loading.Ī wiser publisher would not tie themselves to the whims of Adobe to make their product function. Since update to Win 10 this will not even load. If you can install and it works.be thankful. But I suspect that these are common problems that Smith Micro has never really resolved in any of their releases. Just make sure a refund is possible then consider Blender and MakeHuman which are totally free, more powerful.but much harder to learn. Smith Micro sent me a link to download the newer version. Problem is it is a "download manager" and not the actual program. Ultimately, it's as profound as the stoned guy on a couch, musing on the taste difference between a single chip folded on itself and two chips stacked.All that wants to do is keep installing the same download manager and never downloads the actual program. ![]() Sometimes that humor is inadvertent: That recognition of Columbus as just another spawn of the ur-scene may raise a chortle about how every town has a bunch of mediocre trios who pitch themselves with a descriptor that reads like an explosion in an exquisite corpse factory. It's funny in places, especially in the brief moments with Kitten's always-masked creative partner, Z Wolf. Around the somewhat slight stalker plot is a film about the creative process and underground art scenes that's trying to explain both phenomena to audiences who probably won't spend much time at warehouse shows and backroom installations: Yet it's also so much a part of that scene that it can never quite extend that invite enough. Part defanged Ingrid Goes West, part Our Band Could Be Your Life (and you may wish that part was the whole), Poser poses an intriguing conundrum for itself. But mostly it becomes an excuse for Lennon to insinuate herself into Kitten's world, as Poser increasingly becomes an arthouse Single White Female told from the perspective of Jennifer Jason Leigh's character. The young follower has inserted herself into the $5 cover music scene through meekly asking local creatives to be on her podcast, a show that no one ever seems to wonder why they've never actually heard an episode of. It's also very much a mash note to electro-pop duo Damn the Witch Siren (appearing as themselves) and especially to Bobbi Kitten (charismatic and wild, appearing as a fictionalized version of herself), somewhat stalked by the wannabe artist/wannabe somebody Lennon (Mix, deliberately if sometimes frustratingly a cypher). Smoky, hazy, dreamdrift cinematography courtesy of Logan Floyd gives Poser a poignancy and glow that is alluring but never quite captures the piss-trough stink and spilled-drink stickiness of an actual underground art scene. But Poser, the debut feature from local filmmakers Ori Segev and Noah Dixon, is so in love with the scene from which it draws, with the bands given momentary cameos, with the cool hipness and store brand subversion of it all, that they never seem quite capable of giving it the critique for which they seem to aim. We've all been there, in that cheap beer demimonde where sloppy precision is everything, and the next big thing is everywhere else's fifth-on-the-bill touring act. While slow-bubble psychodrama Poser might be deeply entrenched in the art rock scene of Columbus, Ohio, there's a comfortable recognizability to its depiction of underground gigs, halfway-informed discussions on creativity.
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